Saturday, December 17, 2011
The Goblin Who Stole A Sexton By Charles Dickens
The Story of the Goblins Who Stole a Sexton, by Charles DickensIn an old abbey town, down in this part of the country, a long, long while ago - so long, that the story must be a true one, because our great-grandfathers implicitly believed it - there officiated as sexton and grave-digger in the churchyard, one Gabriel Grub. It by no means follows that because a man is a sexton, and constantly surrounded by the emblems of mortality, therefore he should be a morose and melancholy man; your undertakers are the merriest fellows in the world; and I once had the honour of being on intimate terms with a mute, who in private life, and off duty, was as comical and jocose a little fellow as ever chirped out a devil-may-care song, without a hitch in his memory, or drained off a good stiff glass without stopping for breath. But notwithstanding these precedents to the contrary, Gabriel Grub was an ill-conditioned, cross-grained, surly fellow - a morose and lonely man, who consorted with nobody but himself, and an old wicker bottle which fitted into his large deep waistcoat pocket - and who eyed each merry face, as it passed him by, with such a deep scowl of malice and ill-humour, as it was difficult to meet without feeling something the worse for.
A little before twilight, one Christmas Eve, Gabriel shouldered his spade, lighted his lantern, and betook himself towards the old churchyard; for he had got a grave to finish by next morning, and, feeling very low, he thought it might raise his spirits, perhaps, if he went on with his work at once. As he went his way, up the ancient street, he saw the cheerful light of the blazing fires gleam through the old casements, and heard the loud laugh and the cheerful shouts of those who were assembled around them; he marked the bustling preparations for next day's cheer, and smelled the numerous savoury odours consequent thereupon, as they steamed up from the kitchen windows in clouds. All this was gall and wormwood to the heart of Gabriel Grub; and when groups of children bounded out of the houses, tripped across the road, and were met, before they could knock at the opposite door, by half a dozen curly-headed little rascals who crowded round them as they flocked upstairs to spend the evening in their Christmas games, Gabriel smiled grimly, and clutched the handle of his spade with a firmer grasp, as he thought of measles, scarlet fever, thrush, whooping-cough, and a good many other sources of consolation besides.
In this happy frame of mind, Gabriel strode along, returning a short, sullen growl to the good-humoured greetings of such of his neighbours as now and then passed him, until he turned into the dark lane which led to the churchyard. Now, Gabriel had been looking forward to reaching the dark lane, because it was, generally speaking, a nice, gloomy, mournful place, into which the townspeople did not much care to go, except in broad daylight, and when the sun was shining; consequently, he was not a little indignant to hear a young urchin roaring out some jolly song about a merry Christmas, in this very sanctuary which had been called Coffin Lane ever since the days of the old abbey, and the time of the shaven-headed monks. As Gabriel walked on, and the voice drew nearer, he found it proceeded from a small boy, who was hurrying along, to join one of the little parties in the old street, and who, partly to keep himself company, and partly to prepare himself for the occasion, was shouting out the song at the highest pitch of his lungs. So Gabriel waited until the boy came up, and then dodged him into a corner, and rapped him over the head with his lantern five or six times, just to teach him to modulate his voice. And as the boy hurried away with his hand to his head, singing quite a different sort of tune, Gabriel Grub chuckled very heartily to himself, and entered the churchyard, locking the gate behind him.
He took off his coat, set down his lantern, and getting into the unfinished grave, worked at it for an hour or so with right good- will. But the earth was hardened with the frost, and it was no very easy matter to break it up, and shovel it out; and although there was a moon, it was a very young one, and shed little light upon the grave, which was in the shadow of the church. At any other time, these obstacles would have made Gabriel Grub very moody and miserable, but he was so well pleased with having stopped the small boy's singing, that he took little heed of the scanty progress he had made, and looked down into the grave, when he had finished work for the night, with grim satisfaction, murmuring as he gathered up his things-
- Brave lodgings for one, brave lodgings for one,
A few feet of cold earth, when life is done;
A stone at the head, a stone at the feet,
A rich, juicy meal for the worms to eat;
Rank grass overhead, and damp clay around,
Brave lodgings for one, these, in holy ground!
"Ho! ho! ho!" repeated a voice which sounded close behind him.
Gabriel paused, in some alarm, in the act of raising the wicker bottle to his lips, and looked round. The bottom of the oldest grave about him was not more still and quiet than the churchyard in the pale moonlight. The cold hoar frost glistened on the tombstones, and sparkled like rows of gems, among the stone carvings of the old church. The snow lay hard and crisp upon the ground; and spread over the thickly-strewn mounds of earth, so white and smooth a cover that it seemed as if corpses lay there, hidden only by their winding sheets. Not the faintest rustle broke the profound tranquillity of the solemn scene. Sound itself appeared to be frozen up, all was so cold and still.
"It was the echoes," said Gabriel Grub, raising the bottle to his lips again.
"It was NOT," said a deep voice.
Gabriel started up, and stood rooted to the spot with astonishment and terror; for his eyes rested on a form that made his blood run cold.
Seated on an upright tombstone, close to him, was a strange, unearthly figure, whom Gabriel felt at once, was no being of this world. His long, fantastic legs which might have reached the ground, were cocked up, and crossed after a quaint, fantastic fashion; his sinewy arms were bare; and his hands rested on his knees. On his short, round body, he wore a close covering, ornamented with small slashes; a short cloak dangled at his back; the collar was cut into curious peaks, which served the goblin in lieu of ruff or neckerchief; and his shoes curled up at his toes into long points. On his head, he wore a broad-brimmed sugar-loaf hat, garnished with a single feather. The hat was covered with the white frost; and the goblin looked as if he had sat on the same tombstone very comfortably, for two or three hundred years. He was sitting perfectly still; his tongue was put out, as if in derision; and he was grinning at Gabriel Grub with such a grin as only a goblin could call up.
"It was NOT the echoes," said the goblin.
Gabriel Grub was paralysed, and could make no reply.
"What do you do here on Christmas Eve?" said the goblin sternly.
"I came to dig a grave, Sir," stammered Gabriel Grub.
"What man wanders among graves and churchyards on such a night as this?" cried the goblin.
"Gabriel Grub! Gabriel Grub!" screamed a wild chorus of voices that seemed to fill the churchyard. Gabriel looked fearfully round - nothing was to be seen.
"What have you got in that bottle?" said the goblin.
"Hollands, sir," replied the sexton, trembling more than ever; for he had bought it of the smugglers, and he thought that perhaps his questioner might be in the excise department of the goblins.
"Who drinks Hollands alone, and in a churchyard, on such a night as this?" said the goblin.
"Gabriel Grub! Gabriel Grub!" exclaimed the wild voices again.
The goblin leered maliciously at the terrified sexton, and then raising his voice, exclaimed -
"And who, then, is our fair and lawful prize?"
To this inquiry the invisible chorus replied, in a strain that sounded like the voices of many choristers singing to the mighty swell of the old church organ - a strain that seemed borne to the sexton's ears upon a wild wind, and to die away as it passed onward; but the burden of the reply was still the same, "Gabriel Grub! Gabriel Grub!"
The goblin grinned a broader grin than before, as he said, "Well, Gabriel, what do you say to this?"
The sexton gasped for breath.
"What do you think of this, Gabriel?" said the goblin, kicking up his feet in the air on either side of the tombstone, and looking at the turned-up points with as much complacency as if he had been contemplating the most fashionable pair of Wellingtons in all Bond Street.
"It's - it's - very curious, Sir," replied the sexton, half dead with fright; "very curious, and very pretty, but I think I'll go back and finish my work, Sir, if you please."
"Work!" said the goblin, "what work?"
"The grave, Sir; making the grave," stammered the sexton.
"Oh, the grave, eh?" said the goblin; "who makes graves at a time when all other men are merry, and takes a pleasure in it?"
Again the mysterious voices replied, "Gabriel Grub! Gabriel Grub!"
"I am afraid my friends want you, Gabriel," said the goblin, thrusting his tongue farther into his cheek than ever - and a most astonishing tongue it was - "I'm afraid my friends want you, Gabriel," said the goblin.
"Under favour, Sir," replied the horror-stricken sexton, "I don't think they can, Sir; they don't know me, Sir; I don't think the gentlemen have ever seen me, Sir."
"Oh, yes, they have," replied the goblin; "we know the man with the sulky face and grim scowl, that came down the street to-night, throwing his evil looks at the children, and grasping his burying-spade the tighter. We know the man who struck the boy in the envious malice of his heart, because the boy could be merry, and he could not. We know him, we know him."
Here, the goblin gave a loud, shrill laugh, which the echoes returned twentyfold; and throwing his legs up in the air, stood upon his head, or rather upon the very point of his sugar-loaf hat, on the narrow edge of the tombstone, whence he threw a Somerset with extraordinary agility, right to the sexton's feet, at which he planted himself in the attitude in which tailors generally sit upon the shop-board.
"I - I - am afraid I must leave you, Sir," said the sexton, making an effort to move.
"Leave us!" said the goblin, "Gabriel Grub going to leave us. Ho! ho! ho!"
As the goblin laughed, the sexton observed, for one instant, a brilliant illumination within the windows of the church, as if the whole building were lighted up; it disappeared, the organ pealed forth a lively air, and whole troops of goblins, the very counterpart of the first one, poured into the churchyard, and began playing at leap-frog with the tombstones, never stopping for an instant to take breath, but "overing" the highest among them, one after the other, with the most marvellous dexterity. The first goblin was a most astonishing leaper, and none of the others could come near him; even in the extremity of his terror the sexton could not help observing, that while his friends were content to leap over the common-sized gravestones, the first one took the family vaults, iron railings and all, with as much ease as if they had been so many street-posts.
At last the game reached to a most exciting pitch; the organ played quicker and quicker, and the goblins leaped faster and faster, coiling themselves up, rolling head over heels upon the ground, and bounding over the tombstones like footballs. The sexton's brain whirled round with the rapidity of the motion he beheld, and his legs reeled beneath him, as the spirits flew before his eyes; when the goblin king, suddenly darting towards him, laid his hand upon his collar, and sank with him through the earth.
When Gabriel Grub had had time to fetch his breath, which the rapidity of his descent had for the moment taken away, he found himself in what appeared to be a large cavern, surrounded on all sides by crowds of goblins, ugly and grim; in the centre of the room, on an elevated seat, was stationed his friend of the churchyard; and close behind him stood Gabriel Grub himself, without power of motion.
"Cold to-night," said the king of the goblins, "very cold. A glass of something warm here!"
At this command, half a dozen officious goblins, with a perpetual smile upon their faces, whom Gabriel Grub imagined to be courtiers, on that account, hastily disappeared, and presently returned with a goblet of liquid fire, which they presented to the king.
"Ah!" cried the goblin, whose cheeks and throat were transparent, as he tossed down the flame, "this warms one, indeed! Bring a bumper of the same, for Mr. Grub."
It was in vain for the unfortunate sexton to protest that he was not in the habit of taking anything warm at night; one of the goblins held him while another poured the blazing liquid down his throat; the whole assembly screeched with laughter, as he coughed and choked, and wiped away the tears which gushed plentifully from his eyes, after swallowing the burning draught.
"And now," said the king, fantastically poking the taper corner of his sugar-loaf hat into the sexton's eye, and thereby occasioning him the most exquisite pain; "and now, show the man of misery and gloom, a few of the pictures from our own great storehouse!"
As the goblin said this, a thick cloud which obscured the remoter end of the cavern rolled gradually away, and disclosed, apparently at a great distance, a small and scantily furnished, but neat and clean apartment. A crowd of little children were gathered round a bright fire, clinging to their mother's gown, and gambolling around her chair. The mother occasionally rose, and drew aside the window-curtain, as if to look for some expected object; a frugal meal was ready spread upon the table; and an elbow chair was placed near the fire. A knock was heard at the door; the mother opened it, and the children crowded round her, and clapped their hands for joy, as their father entered. He was wet and weary, and shook the snow from his garments, as the children crowded round him, and seizing his cloak, hat, stick, and gloves, with busy zeal, ran with them from the room. Then, as he sat down to his meal before the fire, the children climbed about his knee, and the mother sat by his side, and all seemed happiness and comfort.
But a change came upon the view, almost imperceptibly. The scene was altered to a small bedroom, where the fairest and youngest child lay dying; the roses had fled from his cheek, and the light from his eye; and even as the sexton looked upon him with an interest he had never felt or known before, he died. His young brothers and sisters crowded round his little bed, and seized his tiny hand, so cold and heavy; but they shrank back from its touch, and looked with awe on his infant face; for calm and tranquil as it was, and sleeping in rest and peace as the beautiful child seemed to be, they saw that he was dead, and they knew that he was an angel looking down upon, and blessing them, from a bright and happy Heaven.
Again the light cloud passed across the picture, and again the subject changed. The father and mother were old and helpless now, and the number of those about them was diminished more than half; but content and cheerfulness sat on every face, and beamed in every eye, as they crowded round the fireside, and told and listened to old stories of earlier and bygone days. Slowly and peacefully, the father sank into the grave, and, soon after, the sharer of all his cares and troubles followed him to a place of rest. The few who yet survived them, kneeled by their tomb, and watered the green turf which covered it with their tears; then rose, and turned away, sadly and mournfully, but not with bitter cries, or despairing lamentations, for they knew that they should one day meet again; and once more they mixed with the busy world, and their content and cheerfulness were restored. The cloud settled upon the picture, and concealed it from the sexton's view.
"What do you think of THAT?" said the goblin, turning his large face towards Gabriel Grub.
Gabriel murmured out something about its being very pretty, and looked somewhat ashamed, as the goblin bent his fiery eyes upon him.
" You miserable man!" said the goblin, in a tone of excessive contempt. "You!" He appeared disposed to add more, but indignation choked his utterance, so he lifted up one of his very pliable legs, and, flourishing it above his head a little, to insure his aim, administered a good sound kick to Gabriel Grub; immediately after which, all the goblins in waiting crowded round the wretched sexton, and kicked him without mercy, according to the established and invariable custom of courtiers upon earth, who kick whom royalty kicks, and hug whom royalty hugs.
"Show him some more!" said the king of the goblins.
At these words, the cloud was dispelled, and a rich and beautiful landscape was disclosed to view - there is just such another, to this day, within half a mile of the old abbey town. The sun shone from out the clear blue sky, the water sparkled beneath his rays, and the trees looked greener, and the flowers more gay, beneath its cheering influence. The water rippled on with a pleasant sound, the trees rustled in the light wind that murmured among their leaves, the birds sang upon the boughs, and the lark carolled on high her welcome to the morning. Yes, it was morning; the bright, balmy morning of summer; the minutest leaf, the smallest blade of grass, was instinct with life. The ant crept forth to her daily toil, the butterfly fluttered and basked in the warm rays of the sun; myriads of insects spread their transparent wings, and revelled in their brief but happy existence. Man walked forth, elated with the scene; and all was brightness and splendour.
"YOU a miserable man!" said the king of the goblins, in a more contemptuous tone than before. And again the king of the goblins gave his leg a flourish; again it descended on the shoulders of the sexton; and again the attendant goblins imitated the example of their chief.
Many a time the cloud went and came, and many a lesson it taught to Gabriel Grub, who, although his shoulders smarted with pain from the frequent applications of the goblins' feet thereunto, looked on with an interest that nothing could diminish. He saw that men who worked hard, and earned their scanty bread with lives of labour, were cheerful and happy; and that to the most ignorant, the sweet face of Nature was a never-failing source of cheerfulness and joy. He saw those who had been delicately nurtured, and tenderly brought up, cheerful under privations, and superior to suffering, that would have crushed many of a rougher grain, because they bore within their own bosoms the materials of happiness, contentment, and peace. He saw that women, the tenderest and most fragile of all God's creatures, were the oftenest superior to sorrow, adversity, and distress; and he saw that it was because they bore, in their own hearts, an inexhaustible well-spring of affection and devotion. Above all, he saw that men like himself, who snarled at the mirth and cheerfulness of others, were the foulest weeds on the fair surface of the earth; and setting all the good of the world against the evil, he came to the conclusion that it was a very decent and respectable sort of world after all. No sooner had he formed it, than the cloud which had closed over the last picture, seemed to settle on his senses, and lull him to repose. One by one, the goblins faded from his sight; and, as the last one disappeared, he sank to sleep.
The day had broken when Gabriel Grub awoke, and found himself lying at full length on the flat gravestone in the churchyard, with the wicker bottle lying empty by his side, and his coat, spade, and lantern, all well whitened by the last night's frost, scattered on the ground. The stone on which he had first seen the goblin seated, stood bolt upright before him, and the grave at which he had worked, the night before, was not far off. At first, he began to doubt the reality of his adventures, but the acute pain in his shoulders when he attempted to rise, assured him that the kicking of the goblins was certainly not ideal. He was staggered again, by observing no traces of footsteps in the snow on which the goblins had played at leap-frog with the gravestones, but he speedily accounted for this circumstance when he remembered that, being spirits, they would leave no visible impression behind them. So, Gabriel Grub got on his feet as well as he could, for the pain in his back; and, brushing the frost off his coat, put it on, and turned his face towards the town.
But he was an altered man, and he could not bear the thought of returning to a place where his repentance would be scoffed at, and his reformation disbelieved. He hesitated for a few moments; and then turned away to wander where he might, and seek his bread elsewhere.
The lantern, the spade, and the wicker bottle were found, that day, in the churchyard. There were a great many speculations about the sexton's fate, at first, but it was speedily determined that he had been carried away by the goblins; and there were not wanting some very credible witnesses who had distinctly seen him whisked through the air on the back of a chestnut horse blind of one eye, with the hind-quarters of a lion, and the tail of a bear. At length all this was devoutly believed; and the new sexton used to exhibit to the curious, for a trifling emolument, a good-sized piece of the church weathercock which had been accidentally kicked off by the aforesaid horse in his aerial flight, and picked up by himself in the churchyard, a year or two afterwards.
Unfortunately, these stories were somewhat disturbed by the unlooked-for reappearance of Gabriel Grub himself, some ten years afterwards, a ragged, contented, rheumatic old man. He told his story to the clergyman, and also to the mayor; and in course of time it began to be received as a matter of history, in which form it has continued down to this very day. The believers in the weathercock tale, having misplaced their confidence once, were not easily prevailed upon to part with it again, so they looked as wise as they could, shrugged their shoulders, touched their foreheads, and murmured something about Gabriel Grub having drunk all the Hollands, and then fallen asleep on the flat tombstone; and they affected to explain what he supposed he had witnessed in the goblin's cavern, by saying that he had seen the world, and grown wiser. But this opinion, which was by no means a popular one at any time, gradually died off; and be the matter how it may, as Gabriel Grub was afflicted with rheumatism to the end of his days, this story has at least one moral, if it teach no better one - and that is, that if a man turn sulky and drink by himself at Christmas time, he may make up his mind to be not a bit the better for it: let the spirits be never so good, or let them be even as many degrees beyond proof, as those which Gabriel Grub saw in the goblin's cavern.
A Christmas Tree By Charles Dickens
I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree. The tree was planted in the middle of a great round table, and towered high above their heads. It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects. There were rosy-cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French-polished tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad-faced little men, much more agreeable in appearance than many real men--and no wonder, for their heads took off, and showed them to be full of sugar-plums; there were fiddles and drums; there were tambourines, books, work-boxes, paint-boxes, sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown-up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming-tops, needle-cases, pen-wipers, smelling-bottles, conversation-cards, bouquet-holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, "There was everything, and more." This motley collection of odd objects, clustering on the tree like magic fruit, and flashing back the bright looks directed towards it from every side--some of the diamond-eyes admiring it were hardly on a level with the table, and a few were languishing in timid wonder on the bosoms of pretty mothers, aunts, and nurses--made a lively realisation of the fancies of childhood; and set me thinking how all the trees that grow and all the things that come into existence on the earth, have their wild adornments at that well-remembered time.
Being now at home again, and alone, the only person in the house awake, my thoughts are drawn back, by a fascination which I do not care to resist, to my own childhood. I begin to consider, what do we all remember best upon the branches of the Christmas Tree of our own young Christmas days, by which we climbed to real life.
Straight, in the middle of the room, cramped in the freedom of its growth by no encircling walls or soon-reached ceiling, a shadowy tree arises; and, looking up into the dreamy brightness of its top-- for I observe in this tree the singular property that it appears to grow downward towards the earth--I look into my youngest Christmas recollections!
All toys at first, I find. Up yonder, among the green holly and red berries, is the Tumbler with his hands in his pockets, who wouldn't lie down, but whenever he was put upon the floor, persisted in rolling his fat body about, until he rolled himself still, and brought those lobster eyes of his to bear upon me--when I affected to laugh very much, but in my heart of hearts was extremely doubtful of him. Close beside him is that infernal snuff-box, out of which there sprang a demoniacal Counsellor in a black gown, with an obnoxious head of hair, and a red cloth mouth, wide open, who was not to be endured on any terms, but could not be put away either; for he used suddenly, in a highly magnified state, to fly out of Mammoth Snuff-boxes in dreams, when least expected. Nor is the frog with cobbler's wax on his tail, far off; for there was no knowing where he wouldn't jump; and when he flew over the candle, and came upon one's hand with that spotted back--red on a green ground--he was horrible. The cardboard lady in a blue-silk skirt, who was stood up against the candlestick to dance, and whom I see on the same branch, was milder, and was beautiful; but I can't say as much for the larger cardboard man, who used to be hung against the wall and pulled by a string; there was a sinister expression in that nose of his; and when he got his legs round his neck (which he very often did), he was ghastly, and not a creature to be alone with.
When did that dreadful Mask first look at me? Who put it on, and why was I so frightened that the sight of it is an era in my life? It is not a hideous visage in itself; it is even meant to be droll, why then were its stolid features so intolerable? Surely not because it hid the wearer's face. An apron would have done as much; and though I should have preferred even the apron away, it would not have been absolutely insupportable, like the mask. Was it the immovability of the mask? The doll's face was immovable, but I was not afraid of HER. Perhaps that fixed and set change coming over a real face, infused into my quickened heart some remote suggestion and dread of the universal change that is to come on every face, and make it still? Nothing reconciled me to it. No drummers, from whom proceeded a melancholy chirping on the turning of a handle; no regiment of soldiers, with a mute band, taken out of a box, and fitted, one by one, upon a stiff and lazy little set of lazy-tongs; no old woman, made of wires and a brown-paper composition, cutting up a pie for two small children; could give me a permanent comfort, for a long time. Nor was it any satisfaction to be shown the Mask, and see that it was made of paper, or to have it locked up and be assured that no one wore it. The mere recollection of that fixed face, the mere knowledge of its existence anywhere, was sufficient to awake me in the night all perspiration and horror, with, "O I know it's coming! O the mask!"
I never wondered what the dear old donkey with the panniers--there he is! was made of, then! His hide was real to the touch, I recollect. And the great black horse with the round red spots all over him--the horse that I could even get upon--I never wondered what had brought him to that strange condition, or thought that such a horse was not commonly seen at Newmarket. The four horses of no colour, next to him, that went into the waggon of cheeses, and could be taken out and stabled under the piano, appear to have bits of fur-tippet for their tails, and other bits for their manes, and to stand on pegs instead of legs, but it was not so when they were brought home for a Christmas present. They were all right, then; neither was their harness unceremoniously nailed into their chests, as appears to be the case now. The tinkling works of the music- cart, I DID find out, to be made of quill tooth-picks and wire; and I always thought that little tumbler in his shirt sleeves, perpetually swarming up one side of a wooden frame, and coming down, head foremost, on the other, rather a weak-minded person--though good-natured; but the Jacob's Ladder, next him, made of little squares of red wood, that went flapping and clattering over one another, each developing a different picture, and the whole enlivened by small bells, was a mighty marvel and a great delight.
Ah! The Doll's house!--of which I was not proprietor, but where I visited. I don't admire the Houses of Parliament half so much as that stone-fronted mansion with real glass windows, and door-steps, and a real balcony--greener than I ever see now, except at watering places; and even they afford but a poor imitation. And though it DID open all at once, the entire house-front (which was a blow, I admit, as cancelling the fiction of a staircase), it was but to shut it up again, and I could believe. Even open, there were three distinct rooms in it: a sitting-room and bed-room, elegantly furnished, and best of all, a kitchen, with uncommonly soft fire- irons, a plentiful assortment of diminutive utensils--oh, the warming-pan!--and a tin man-cook in profile, who was always going to fry two fish. What Barmecide justice have I done to the noble feasts wherein the set of wooden platters figured, each with its own peculiar delicacy, as a ham or turkey, glued tight on to it, and garnished with something green, which I recollect as moss! Could all the Temperance Societies of these later days, united, give me such a tea-drinking as I have had through the means of yonder little set of blue crockery, which really would hold liquid (it ran out of the small wooden cask, I recollect, and tasted of matches), and which made tea, nectar. And if the two legs of the ineffectual little sugar-tongs did tumble over one another, and want purpose, like Punch's hands, what does it matter? And if I did once shriek out, as a poisoned child, and strike the fashionable company with consternation, by reason of having drunk a little teaspoon, inadvertently dissolved in too hot tea, I was never the worse for it, except by a powder!
Upon the next branches of the tree, lower down, hard by the green roller and miniature gardening-tools, how thick the books begin to hang. Thin books, in themselves, at first, but many of them, and with deliciously smooth covers of bright red or green. What fat black letters to begin with! "A was an archer, and shot at a frog." Of course he was. He was an apple-pie also, and there he is! He was a good many things in his time, was A, and so were most of his friends, except X, who had so little versatility, that I never knew him to get beyond Xerxes or Xantippe--like Y, who was always confined to a Yacht or a Yew Tree; and Z condemned for ever to be a Zebra or a Zany. But, now, the very tree itself changes, and becomes a bean-stalk--the marvellous bean-stalk up which Jack climbed to the Giant's house! And now, those dreadfully interesting, double-headed giants, with their clubs over their shoulders, begin to stride along the boughs in a perfect throng, dragging knights and ladies home for dinner by the hair of their heads. And Jack--how noble, with his sword of sharpness, and his shoes of swiftness! Again those old meditations come upon me as I gaze up at him; and I debate within myself whether there was more than one Jack (which I am loth to believe possible), or only one genuine original admirable Jack, who achieved all the recorded exploits.
Good for Christmas-time is the ruddy colour of the cloak, in which-- the tree making a forest of itself for her to trip through, with her basket--Little Red Riding-Hood comes to me one Christmas Eve to give me information of the cruelty and treachery of that dissembling Wolf who ate her grandmother, without making any impression on his appetite, and then ate her, after making that ferocious joke about his teeth. She was my first love. I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be; and there was nothing for it but to look out the Wolf in the Noah's Ark there, and put him late in the procession on the table, as a monster who was to be degraded. O the wonderful Noah's Ark! It was not found seaworthy when put in a washing-tub, and the animals were crammed in at the roof, and needed to have their legs well shaken down before they could be got in, even there- -and then, ten to one but they began to tumble out at the door, which was but imperfectly fastened with a wire latch--but what was THAT against it! Consider the noble fly, a size or two smaller than the elephant: the lady-bird, the butterfly--all triumphs of art! Consider the goose, whose feet were so small, and whose balance was so indifferent, that he usually tumbled forward, and knocked down all the animal creation. Consider Noah and his family, like idiotic tobacco-stoppers; and how the leopard stuck to warm little fingers; and how the tails of the larger animals used gradually to resolve themselves into frayed bits of string!
Hush! Again a forest, and somebody up in a tree--not Robin Hood, not Valentine, not the Yellow Dwarf (I have passed him and all Mother Bunch's wonders, without mention), but an Eastern King with a glittering scimitar and turban. By Allah! two Eastern Kings, for I see another, looking over his shoulder! Down upon the grass, at the tree's foot, lies the full length of a coal-black Giant, stretched asleep, with his head in a lady's lap; and near them is a glass box, fastened with four locks of shining steel, in which he keeps the lady prisoner when he is awake. I see the four keys at his girdle now. The lady makes signs to the two kings in the tree, who softly descend. It is the setting-in of the bright Arabian Nights.
Oh, now all common things become uncommon and enchanted to me. All lamps are wonderful; all rings are talismans. Common flower-pots are full of treasure, with a little earth scattered on the top; trees are for Ali Baba to hide in; beef-steaks are to throw down into the Valley of Diamonds, that the precious stones may stick to them, and be carried by the eagles to their nests, whence the traders, with loud cries, will scare them. Tarts are made, according to the recipe of the Vizier's son of Bussorah, who turned pastrycook after he was set down in his drawers at the gate of Damascus; cobblers are all Mustaphas, and in the habit of sewing up people cut into four pieces, to whom they are taken blind-fold.
Any iron ring let into stone is the entrance to a cave which only waits for the magician, and the little fire, and the necromancy, that will make the earth shake. All the dates imported come from the same tree as that unlucky date, with whose shell the merchant knocked out the eye of the genie's invisible son. All olives are of the stock of that fresh fruit, concerning which the Commander of the Faithful overheard the boy conduct the fictitious trial of the fraudulent olive merchant; all apples are akin to the apple purchased (with two others) from the Sultan's gardener for three sequins, and which the tall black slave stole from the child. All dogs are associated with the dog, really a transformed man, who jumped upon the baker's counter, and put his paw on the piece of bad money. All rice recalls the rice which the awful lady, who was a ghoule, could only peck by grains, because of her nightly feasts in the burial-place. My very rocking-horse,--there he is, with his nostrils turned completely inside-out, indicative of Blood!--should have a peg in his neck, by virtue thereof to fly away with me, as the wooden horse did with the Prince of Persia, in the sight of all his father's Court.
Yes, on every object that I recognise among those upper branches of my Christmas Tree, I see this fairy light! When I wake in bed, at daybreak, on the cold, dark, winter mornings, the white snow dimly beheld, outside, through the frost on the window-pane, I hear Dinarzade. "Sister, sister, if you are yet awake, I pray you finish the history of the Young King of the Black Islands." Scheherazade replies, "If my lord the Sultan will suffer me to live another day, sister, I will not only finish that, but tell you a more wonderful story yet." Then, the gracious Sultan goes out, giving no orders for the execution, and we all three breathe again.
At this height of my tree I begin to see, cowering among the leaves- -it may be born of turkey, or of pudding, or mince pie, or of these many fancies, jumbled with Robinson Crusoe on his desert island, Philip Quarll among the monkeys, Sandford and Merton with Mr. Barlow, Mother Bunch, and the Mask--or it may be the result of indigestion, assisted by imagination and over-doctoring--a prodigious nightmare. It is so exceedingly indistinct, that I don't know why it's frightful--but I know it is. I can only make out that it is an immense array of shapeless things, which appear to be planted on a vast exaggeration of the lazy-tongs that used to bear the toy soldiers, and to be slowly coming close to my eyes, and receding to an immeasurable distance. When it comes closest, it is worse. In connection with it I descry remembrances of winter nights incredibly long; of being sent early to bed, as a punishment for some small offence, and waking in two hours, with a sensation of having been asleep two nights; of the laden hopelessness of morning ever dawning; and the oppression of a weight of remorse.
And now, I see a wonderful row of little lights rise smoothly out of the ground, before a vast green curtain. Now, a bell rings--a magic bell, which still sounds in my ears unlike all other bells--and music plays, amidst a buzz of voices, and a fragrant smell of orange-peel and oil. Anon, the magic bell commands the music to cease, and the great green curtain rolls itself up majestically, and The Play begins! The devoted dog of Montargis avenges the death of his master, foully murdered in the Forest of Bondy; and a humorous Peasant with a red nose and a very little hat, whom I take from this hour forth to my bosom as a friend (I think he was a Waiter or an Hostler at a village Inn, but many years have passed since he and I have met), remarks that the sassigassity of that dog is indeed surprising; and evermore this jocular conceit will live in my remembrance fresh and unfading, overtopping all possible jokes, unto the end of time. Or now, I learn with bitter tears how poor Jane Shore, dressed all in white, and with her brown hair hanging down, went starving through the streets; or how George Barnwell killed the worthiest uncle that ever man had, and was afterwards so sorry for it that he ought to have been let off. Comes swift to comfort me, the Pantomime--stupendous Phenomenon!--when clowns are shot from loaded mortars into the great chandelier, bright constellation that it is; when Harlequins, covered all over with scales of pure gold, twist and sparkle, like amazing fish; when Pantaloon (whom I deem it no irreverence to compare in my own mind to my grandfather) puts red-hot pokers in his pocket, and cries "Here's somebody coming!" or taxes the Clown with petty larceny, by saying, "Now, I sawed you do it!" when Everything is capable, with the greatest ease, of being changed into Anything; and "Nothing is, but thinking makes it so." Now, too, I perceive my first experience of the dreary sensation-- often to return in after-life--of being unable, next day, to get back to the dull, settled world; of wanting to live for ever in the bright atmosphere I have quitted; of doting on the little Fairy, with the wand like a celestial Barber's Pole, and pining for a Fairy immortality along with her. Ah, she comes back, in many shapes, as my eye wanders down the branches of my Christmas Tree, and goes as often, and has never yet stayed by me!
Out of this delight springs the toy-theatre,--there it is, with its familiar proscenium, and ladies in feathers, in the boxes!--and all its attendant occupation with paste and glue, and gum, and water colours, in the getting-up of The Miller and his Men, and Elizabeth, or the Exile of Siberia. In spite of a few besetting accidents and failures (particularly an unreasonable disposition in the respectable Kelmar, and some others, to become faint in the legs, and double up, at exciting points of the drama), a teeming world of fancies so suggestive and all-embracing, that, far below it on my Christmas Tree, I see dark, dirty, real Theatres in the day-time, adorned with these associations as with the freshest garlands of the rarest flowers, and charming me yet.
But hark! The Waits are playing, and they break my childish sleep! What images do I associate with the Christmas music as I see them set forth on the Christmas Tree? Known before all the others, keeping far apart from all the others, they gather round my little bed. An angel, speaking to a group of shepherds in a field; some travellers, with eyes uplifted, following a star; a baby in a manger; a child in a spacious temple, talking with grave men; a solemn figure, with a mild and beautiful face, raising a dead girl by the hand; again, near a city gate, calling back the son of a widow, on his bier, to life; a crowd of people looking through the opened roof of a chamber where he sits, and letting down a sick person on a bed, with ropes; the same, in a tempest, walking on the water to a ship; again, on a sea-shore, teaching a great multitude; again, with a child upon his knee, and other children round; again, restoring sight to the blind, speech to the dumb, hearing to the deaf, health to the sick, strength to the lame, knowledge to the ignorant; again, dying upon a Cross, watched by armed soldiers, a thick darkness coming on, the earth beginning to shake, and only one voice heard, "Forgive them, for they know not what they do."
Still, on the lower and maturer branches of the Tree, Christmas associations cluster thick. School-books shut up; Ovid and Virgil silenced; the Rule of Three, with its cool impertinent inquiries, long disposed of; Terence and Plautus acted no more, in an arena of huddled desks and forms, all chipped, and notched, and inked; cricket-bats, stumps, and balls, left higher up, with the smell of trodden grass and the softened noise of shouts in the evening air; the tree is still fresh, still gay. If I no more come home at Christmas-time, there will be boys and girls (thank Heaven! ) while the World lasts; and they do! Yonder they dance and play upon the branches of my Tree, God bless them, merrily, and my heart dances and plays too!
And I do come home at Christmas. We all do, or we all should. We all come home, or ought to come home, for a short holiday--the longer, the better--from the great boarding-school, where we are for ever working at our arithmetical slates, to take, and give a rest. As to going a visiting, where can we not go, if we will; where have we not been, when we would; starting our fancy from our Christmas Tree!
Away into the winter prospect. There are many such upon the tree! On, by low-lying, misty grounds, through fens and fogs, up long hills, winding dark as caverns between thick plantations, almost shutting out the sparkling stars; so, out on broad heights, until we stop at last, with sudden silence, at an avenue. The gate-bell has a deep, half-awful sound in the frosty air; the gate swings open on its hinges; and, as we drive up to a great house, the glancing lights grow larger in the windows, and the opposing rows of trees seem to fall solemnly back on either side, to give us place. At intervals, all day, a frightened hare has shot across this whitened turf; or the distant clatter of a herd of deer trampling the hard frost, has, for the minute, crushed the silence too. Their watchful eyes beneath the fern may be shining now, if we could see them, like the icy dewdrops on the leaves; but they are still, and all is still. And so, the lights growing larger, and the trees falling back before us, and closing up again behind us, as if to forbid retreat, we come to the house.
There is probably a smell of roasted chestnuts and other good comfortable things all the time, for we are telling Winter Stories-- Ghost Stories, or more shame for us--round the Christmas fire; and we have never stirred, except to draw a little nearer to it. But, no matter for that. We came to the house, and it is an old house, full of great chimneys where wood is burnt on ancient dogs upon the hearth, and grim portraits (some of them with grim legends, too) lower distrustfully from the oaken panels of the walls. We are a middle-aged nobleman, and we make a generous supper with our host and hostess and their guests--it being Christmas-time, and the old house full of company--and then we go to bed. Our room is a very old room. It is hung with tapestry. We don't like the portrait of a cavalier in green, over the fireplace. There are great black beams in the ceiling, and there is a great black bedstead, supported at the foot by two great black figures, who seem to have come off a couple of tombs in the old baronial church in the park, for our particular accommodation. But, we are not a superstitious nobleman, and we don't mind. Well! we dismiss our servant, lock the door, and sit before the fire in our dressing-gown, musing about a great many things. At length we go to bed. Well! we can't sleep. We toss and tumble, and can't sleep. The embers on the hearth burn fitfully and make the room look ghostly. We can't help peeping out over the counterpane, at the two black figures and the cavalier--that wicked- looking cavalier--in green. In the flickering light they seem to advance and retire: which, though we are not by any means a superstitious nobleman, is not agreeable. Well! we get nervous-- more and more nervous. We say "This is very foolish, but we can't stand this; we'll pretend to be ill, and knock up somebody." Well! we are just going to do it, when the locked door opens, and there comes in a young woman, deadly pale, and with long fair hair, who glides to the fire, and sits down in the chair we have left there, wringing her hands. Then, we notice that her clothes are wet. Our tongue cleaves to the roof of our mouth, and we can't speak; but, we observe her accurately. Her clothes are wet; her long hair is dabbled with moist mud; she is dressed in the fashion of two hundred years ago; and she has at her girdle a bunch of rusty keys. Well! there she sits, and we can't even faint, we are in such a state about it. Presently she gets up, and tries all the locks in the room with the rusty keys, which won't fit one of them; then, she fixes her eyes on the portrait of the cavalier in green, and says, in a low, terrible voice, "The stags know it!" After that, she wrings her hands again, passes the bedside, and goes out at the door. We hurry on our dressing-gown, seize our pistols (we always travel with pistols), and are following, when we find the door locked. We turn the key, look out into the dark gallery; no one there. We wander away, and try to find our servant. Can't be done. We pace the gallery till daybreak; then return to our deserted room, fall asleep, and are awakened by our servant (nothing ever haunts him) and the shining sun. Well! we make a wretched breakfast, and all the company say we look queer. After breakfast, we go over the house with our host, and then we take him to the portrait of the cavalier in green, and then it all comes out. He was false to a young housekeeper once attached to that family, and famous for her beauty, who drowned herself in a pond, and whose body was discovered, after a long time, because the stags refused to drink of the water. Since which, it has been whispered that she traverses the house at midnight (but goes especially to that room where the cavalier in green was wont to sleep), trying the old locks with the rusty keys. Well! we tell our host of what we have seen, and a shade comes over his features, and he begs it may be hushed up; and so it is. But, it's all true; and we said so, before we died (we are dead now) to many responsible people.
There is no end to the old houses, with resounding galleries, and dismal state-bedchambers, and haunted wings shut up for many years, through which we may ramble, with an agreeable creeping up our back, and encounter any number of ghosts, but (it is worthy of remark perhaps) reducible to a very few general types and classes; for, ghosts have little originality, and "walk" in a beaten track. Thus, it comes to pass, that a certain room in a certain old hall, where a certain bad lord, baronet, knight, or gentleman, shot himself, has certain planks in the floor from which the blood WILL NOT be taken out. You may scrape and scrape, as the present owner has done, or plane and plane, as his father did, or scrub and scrub, as his grandfather did, or burn and burn with strong acids, as his great- grandfather did, but, there the blood will still be--no redder and no paler--no more and no less--always just the same. Thus, in such another house there is a haunted door, that never will keep open; or another door that never will keep shut, or a haunted sound of a spinning-wheel, or a hammer, or a footstep, or a cry, or a sigh, or a horse's tramp, or the rattling of a chain. Or else, there is a turret-clock, which, at the midnight hour, strikes thirteen when the head of the family is going to die; or a shadowy, immovable black carriage which at such a time is always seen by somebody, waiting near the great gates in the stable-yard. Or thus, it came to pass how Lady Mary went to pay a visit at a large wild house in the Scottish Highlands, and, being fatigued with her long journey, retired to bed early, and innocently said, next morning, at the breakfast-table, "How odd, to have so late a party last night, in this remote place, and not to tell me of it, before I went to bed!" Then, every one asked Lady Mary what she meant? Then, Lady Mary replied, "Why, all night long, the carriages were driving round and round the terrace, underneath my window!" Then, the owner of the house turned pale, and so did his Lady, and Charles Macdoodle of Macdoodle signed to Lady Mary to say no more, and every one was silent. After breakfast, Charles Macdoodle told Lady Mary that it was a tradition in the family that those rumbling carriages on the terrace betokened death. And so it proved, for, two months afterwards, the Lady of the mansion died. And Lady Mary, who was a Maid of Honour at Court, often told this story to the old Queen Charlotte; by this token that the old King always said, "Eh, eh? What, what? Ghosts, ghosts? No such thing, no such thing!" And never left off saying so, until he went to bed.
Or, a friend of somebody's whom most of us know, when he was a young man at college, had a particular friend, with whom he made the compact that, if it were possible for the Spirit to return to this earth after its separation from the body, he of the twain who first died, should reappear to the other. In course of time, this compact was forgotten by our friend; the two young men having progressed in life, and taken diverging paths that were wide asunder. But, one night, many years afterwards, our friend being in the North of England, and staying for the night in an inn, on the Yorkshire Moors, happened to look out of bed; and there, in the moonlight, leaning on a bureau near the window, steadfastly regarding him, saw his old college friend! The appearance being solemnly addressed, replied, in a kind of whisper, but very audibly, "Do not come near me. I am dead. I am here to redeem my promise. I come from another world, but may not disclose its secrets!" Then, the whole form becoming paler, melted, as it were, into the moonlight, and faded away.
Or, there was the daughter of the first occupier of the picturesque Elizabethan house, so famous in our neighbourhood. You have heard about her? No! Why, SHE went out one summer evening at twilight, when she was a beautiful girl, just seventeen years of age, to gather flowers in the garden; and presently came running, terrified, into the hall to her father, saying, "Oh, dear father, I have met myself!" He took her in his arms, and told her it was fancy, but she said, "Oh no! I met myself in the broad walk, and I was pale and gathering withered flowers, and I turned my head, and held them up!" And, that night, she died; and a picture of her story was begun, though never finished, and they say it is somewhere in the house to this day, with its face to the wall.
Or, the uncle of my brother's wife was riding home on horseback, one mellow evening at sunset, when, in a green lane close to his own house, he saw a man standing before him, in the very centre of a narrow way. "Why does that man in the cloak stand there!" he thought. "Does he want me to ride over him?" But the figure never moved. He felt a strange sensation at seeing it so still, but slackened his trot and rode forward. When he was so close to it, as almost to touch it with his stirrup, his horse shied, and the figure glided up the bank, in a curious, unearthly manner--backward, and without seeming to use its feet--and was gone. The uncle of my brother's wife, exclaiming, "Good Heaven! It's my cousin Harry, from Bombay!" put spurs to his horse, which was suddenly in a profuse sweat, and, wondering at such strange behaviour, dashed round to the front of his house. There, he saw the same figure, just passing in at the long French window of the drawing-room, opening on the ground. He threw his bridle to a servant, and hastened in after it. His sister was sitting there, alone. "Alice, where's my cousin Harry?" "Your cousin Harry, John?" "Yes. From Bombay. I met him in the lane just now, and saw him enter here, this instant." Not a creature had been seen by any one; and in that hour and minute, as it afterwards appeared, this cousin died in India.
Or, it was a certain sensible old maiden lady, who died at ninety- nine, and retained her faculties to the last, who really did see the Orphan Boy; a story which has often been incorrectly told, but, of which the real truth is this--because it is, in fact, a story belonging to our family--and she was a connexion of our family. When she was about forty years of age, and still an uncommonly fine woman (her lover died young, which was the reason why she never married, though she had many offers), she went to stay at a place in Kent, which her brother, an Indian-Merchant, had newly bought. There was a story that this place had once been held in trust by the guardian of a young boy; who was himself the next heir, and who killed the young boy by harsh and cruel treatment. She knew nothing of that. It has been said that there was a Cage in her bedroom in which the guardian used to put the boy. There was no such thing. There was only a closet. She went to bed, made no alarm whatever in the night, and in the morning said composedly to her maid when she came in, "Who is the pretty forlorn-looking child who has been peeping out of that closet all night?" The maid replied by giving a loud scream, and instantly decamping. She was surprised; but she was a woman of remarkable strength of mind, and she dressed herself and went downstairs, and closeted herself with her brother. "Now, Walter," she said, "I have been disturbed all night by a pretty, forlorn-looking boy, who has been constantly peeping out of that closet in my room, which I can't open. This is some trick." "I am afraid not, Charlotte," said he, "for it is the legend of the house. It is the Orphan Boy. What did he do?" "He opened the door softly," said she, "and peeped out. Sometimes, he came a step or two into the room. Then, I called to him, to encourage him, and he shrunk, and shuddered, and crept in again, and shut the door." "The closet has no communication, Charlotte," said her brother, "with any other part of the house, and it's nailed up." This was undeniably true, and it took two carpenters a whole forenoon to get it open, for examination. Then, she was satisfied that she had seen the Orphan Boy. But, the wild and terrible part of the story is, that he was also seen by three of her brother's sons, in succession, who all died young. On the occasion of each child being taken ill, he came home in a heat, twelve hours before, and said, Oh, Mamma, he had been playing under a particular oak-tree, in a certain meadow, with a strange boy--a pretty, forlorn-looking boy, who was very timid, and made signs! From fatal experience, the parents came to know that this was the Orphan Boy, and that the course of that child whom he chose for his little playmate was surely run.
Legion is the name of the German castles, where we sit up alone to wait for the Spectre--where we are shown into a room, made comparatively cheerful for our reception--where we glance round at the shadows, thrown on the blank walls by the crackling fire--where we feel very lonely when the village innkeeper and his pretty daughter have retired, after laying down a fresh store of wood upon the hearth, and setting forth on the small table such supper-cheer as a cold roast capon, bread, grapes, and a flask of old Rhine wine- -where the reverberating doors close on their retreat, one after another, like so many peals of sullen thunder--and where, about the small hours of the night, we come into the knowledge of divers supernatural mysteries. Legion is the name of the haunted German students, in whose society we draw yet nearer to the fire, while the schoolboy in the corner opens his eyes wide and round, and flies off the footstool he has chosen for his seat, when the door accidentally blows open. Vast is the crop of such fruit, shining on our Christmas Tree; in blossom, almost at the very top; ripening all down the boughs!
Among the later toys and fancies hanging there--as idle often and less pure--be the images once associated with the sweet old Waits, the softened music in the night, ever unalterable! Encircled by the social thoughts of Christmas-time, still let the benignant figure of my childhood stand unchanged! In every cheerful image and suggestion that the season brings, may the bright star that rested above the poor roof, be the star of all the Christian World! A moment's pause, O vanishing tree, of which the lower boughs are dark to me as yet, and let me look once more! I know there are blank spaces on thy branches, where eyes that I have loved have shone and smiled; from which they are departed. But, far above, I see the raiser of the dead girl, and the Widow's Son; and God is good! If Age be hiding for me in the unseen portion of thy downward growth, O may I, with a grey head, turn a child's heart to that figure yet, and a child's trustfulness and confidence!
Now, the tree is decorated with bright merriment, and song, and dance, and cheerfulness. And they are welcome. Innocent and welcome be they ever held, beneath the branches of the Christmas Tree, which cast no gloomy shadow! But, as it sinks into the ground, I hear a whisper going through the leaves. "This, in commemoration of the law of love and kindness, mercy and compassion. This, in remembrance of Me!"
Friday, December 16, 2011
The project was previously being referred to as 300: Battle of Artemisia. However, according to a new report, the title has been altered slightly to 300: The Battle of Artemisium.
The Battle of Artemisium took place concurrently with the Battle of Thermopylae – which was portrayed in 300. “Artemisia”, in this case, refers to the name of a woman who essentially leads Xerxes to his doom.
Xerxes (Rodrigo Santoro) is somewhat pushed into the bloody battle with the Greeks by the gold-covered maven goddess Artemisia. Artemisia, witnessing just how much his father King Darius’s death has affected him, persuades Xerxes – with her “vindictive charm” – to go into battle against those responsible.
Artemisia tells Xerxes that he has no choice but to avenge his father’s death and has to man up before becoming king. So, he sets off to become a God because that’s the only way he can win the battle.
Artemisia, on her hunt for a group of men to join Xerxes in the battle against the Greeks, doesn’t stop at brainwashing Xerxes. She also manages to convince Themistocles [the part Joel Edgerton is in talks for] to side with her somewhat. Though the Persians took his family, and he’s spent ten years training the Greeks for battle, Artemisia has such an allure about her that the muscly Greek is taken. Ultimately, she convinces him that his life will be better off if he swaps sides. But this guy’s also as good a liar as he is a fighter.
A serial killer that is free to hunt and missing girls that no ones looking for and Amanda Seyfried may be the only one who has a clue. It seems like a good story with all the theatrics and budget to pull of a great thriller. In the trailer Seyfried seems to have the power of a young Jody Foster, not sure though if film will be worth a ticket or wait for it on dvd. On a plus side it has my fave foul mouth detective from Dexter – Jennifer Carpenter, and the hottest fire boy on “Rescue Me” – Daniel Sunjata plus very hot Wes Bentley, so it may be one to go see!
Gone centers on a young woman (Seyfried) who returns home from her night shift to find her sister's bed empty. She is convinced that the serial killer who kidnapped her two years before has come back to finish the job, but when the police do not believe her and with no one to turn to, the woman sets off to find her sister and face her abductor once and for all.
Kids at a first-time offenders' boot camp discover that the legend of lumberjack Paul Bunyan is real, but is much more horrifying than they could have imagined. They incur the wrath of the 15-foot monstrous giant, who was banished from town 100 years ago and thought dead.
Kids at a first-time offenders' boot camp discover that the legend of lumberjack Paul Bunyan is real, but is much more horrifying than they could have imagined. They incur the wrath of the 15-foot monstrous giant, who was banished from town 100 years ago and thought dead.
, Avatar Press announces today the launch of a new, ongoing CROSSED comic book series on March 14, 2012, with a bi-weekly release schedule and its first story arc reuniting the creative team of superstar writer Garth Ennis (Preacher, The Punisher) and original series artist Jacen Burrows (NEONOMICON). Concurrent story arcs will be spearheaded by well-established comic book writers such as Jamie Delano (Hellblazer) and David Lapham (Stray Bullets). The worldwide release of CROSSED: BADLANDS will be marked by a special “C-Day” in-store event for comic shop retailers, designed to maximize comic fan awareness and drive sales for area retailers.
Get ready for Worldwide “C-Day”! Find out more here!
David Dunwoody, the author of EMPIRE, presents strange and chilling tales in which there is no escape to be found - only confrontation with the dark entities of the author's imagination. Giant ghouls in a graveyard, rebellious demons chained eternally in Hell, ravenous shape-shifters on a lost island, and the specter of Death himself are awaiting you within the confines of this book to collect your soul. Join us. Take a chance, but will you survive?!
Hidden in the dark corners of our reality are the passages to spaces beyond. Is it there that unfortunate souls come face to face with the horrors that move silently about us in everyday life. Take a breath, take a chance, and turn the page...
check it out here!
In Beneath the Darkness, Ely Vaughn (Quaid) is a pillar of the community in tiny Smithville, Texas. The town’s mortician, Ely has been revered since his days as the high school’s star quarterback. But since the tragic death of his wife two years earlier, Ely has withdrawn from his neighbors, while local teens spread stories of supernatural goings on at Ely’s mansion—which is also the funeral home. When high school friends Travis (Oller), Abby (Teegarden), Brian (Lunsford) and Danny (Werkheiser) decide to check out the rumors, they are shocked to see the supposedly grieving widower dancing with a mysterious woman behind the curtains of his bedroom window. Their curiosity aroused, the four teens wait for Ely to leave the house before breaking in to investigate. But instead of finding clues to the woman’s identity, they stumble on a grotesque, long-hidden secret. The sadistic mortician next door will now stop at nothing to literally bury his past.
When astronomers discovered the phenomena of magnetic tornados on the planet Mercury, they were amazed by the destructive power of these gargantuan solar-fueled magnetic fields…but they never imagined witnessing the catastrophic forces in their own backyards.
Samuel Planck is head of the HELIOS PROJECT—a high tech facility tasked with storing and converting solar rays into an endless supply of renewable energy. After years of research and millions of dollars, it is now time to test the system out. The scientists cheer loudly as initially things go according to plan. But when the facility is unable to control the massive amount of energy coming in, the cheers turn to screams. The charged particles begin swirling around themselves, creating a massive magnetic vortex that quickly becomes the first magnetic tornado on earth!
Planck and his team try to abort the procedure but it’s already too late--with a trillion watts of power to draw from, there is nowhere this monstrous force of nature can’t go. The mega swirling tornados are soon ripping steel from buildings, cars off the street, and planes from the sky as they pulverize everything they touch!
Now Samuel Planck and his team must find a way to stop these metal tornados before they destroy all of us
Wednesday, December 14, 2011
No because I just made it up…First thing that came to my mind when I saw this freaky one sheet for “The Theatre Bizarre”. An Anthology with a total of six short films linked by a wrap around story. From the same folks that gave us “Little Deaths” which just hit DVD.
The participating filmmakers include Buddy Giovinazzo, Richard Stanley, Douglas Buck, Karim Hussain, Tom Savini and Jeremy Kasten. Inside, you'll find the synopsis and official one-sheet for this W2 Media release.
Down a seedy city street, a young woman is obsessed with what appears to be a long abandoned theatre. One night, she sees the front door slightly ajar and impulsively decides to sneak inside. But there in the vast, eerie auditorium, a show unlike any other unfolds before her eyes. Its host is an odd marionette-like man who will introduce her to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees crosses paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the fluid of her victims’ eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep. But as the stories unfold, something strange is happening to the woman. Something irreversible and horrific. Something that awaits its next audience in the Theatre Bizarre.
Production has finished for “Snow White And The Huntsman” and a pic of Rupert Sanders declaring the wrap up was just posted to the Facebook Page. We can expect to see the more adult and darker tale of Snow White on June 1 2012!
Starring: Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin
In the epic action-adventure Snow White and the Huntsman, Kristen Stewart (Twilight) plays the only person in the land fairer than the evil queen (Oscar® winner Charlize Theron) who is out to destroy her. But what the wicked ruler never imagined is that the young woman threatening her reign has been training in the art of war with a huntsman (Chris Hemsworth, Thor) who was dispatched to kill her. Sam Claflin (Pirates of the Caribbean: On Stranger Tides) joins the cast as the prince long enchanted by Snow White’s beauty and power.
The breathtaking new vision of the legendary tale is from Joe Roth, the producer of Alice in Wonderland, producer Sam Mercer (The Sixth Sense) and acclaimed commercial director and state-of-the-art visualist Rupert Sanders.
To classic films this coming year that are a must on any to watch list are one “A Woman In Black and two is duh! “The Raven”. A fresh and modern way to pay tribute to the king of the macabre Mister Edgar Allan Poe.
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The Raven is a fictionalized account of the final days of gothic writer Edgar Allan Poe as he tracks a serial killer whose crimes mirror works by the famous author.
For me “Rare Exports” is hands down the most sequential piece of modern fairytale films of the Christmas Season. From the moment the story opens on the vast mountainous wilderness that seemed almost Iclandically frozen I felt the chills of this dark tale beckon me. The film is set in Norway the homeland of the Santa Legend that is at the root of all our post consumer modern marketeering holiday mania.
The legend falls on the macabre notion and somewhat close to fact myth the Santa baby wasn’t some jolly man eager to hand out gifts and goodies for children's year long niceties. This Santa was not a mall kinda guy at all. Quiet frankly he is almost missing from this picture, but that is the point of this film. This legend has teeth and bites down and holds tight with almost no room for question. What we thought was jolly old Saint Nick is in fact a spellbound mindless elven creature out to do Santa’s bidding.
One boy is well aware of the holes in the “Coca-cola” Santa myth. From the moment you meet the young Pietari Kontio you feel his distrust and un ease in the holiday. It stems from the fact that strange men are digging at the base of the oldest mountain in the areas history for what he has learned is the tomb of a much more evil and monstrous Santa.
This film is intense with emotion and dialogue which is good when learning of life and cultural perspectives of others. I don’t mind subtitles at all. They make me feel some how more cultured my self. I went into this film thinking monster gore was gonna be the attraction de jure but was pleasantly surprised. The movie was able to hold me in and feel the characters discomfort with their situation without a lot of blood and gore. A lot of movies cannot do that.
The legend of Korvatunturi mountains. This legend is deep and dark and should have festivals and celebrations in honor of it. I have decided to incorporate this belief of the true Santa of millennia past into my love and passion of Christmas. It stands next to Krumpas for me. Krumpas was supposedly Santa’s dark passenger through the naughty and nice journey of Holidays past. He was aloud to snatch the children that were naught and feast upon them on Christmas morning when the journey was finished and the holiday done. I believe he held some inspiration in this tale of Santa. The frozen chimeric creature that was horned and had been trapped and buried for centuries. Until the strange people came and began their dig.
The only downside to this film was the simple fact that there was no real body count and I felt it would have been nicer to see this vision of Santa break free from the ice before the saviours of the film triumphed. However with all that sad it is truly a great Christmas tale to meld into an already existing and constantly growing dark and gory Christmas tradition. For me this is a new holiday classic. I just wouldn’t call this film a horror story. It is more of a Dark Fairytale.